Wednesday, September 19, 2007

No holds barred

Father, kill the German!
Nesterova, 1942

In a couple of weeks we will be in Moscow. I will wipe this damned city off the face of the earth, I will dig an artificial lake on its place. The word “Moscow” will become extinct.

Adolf Hitler about Moscow


“Kill the German” – this a phrase from Ilya Ehrenburg’s article published in Red Star millitary newspaper in 1942. This article and leaflet based on the text is probably the most controversial piece of all Soviet WW2 propaganda.

The article had several extracts from letters of dead German soldiers with description of violent treatment of Soviet prisoners. The article ended with a call to kill Germans, which quite resembled the Nazi anti-Jewish and anti-Soviet propaganda:

“Now we understand the Germans are not human. Now the word “German” itself has become the most terrible curse. Let us not speak. Let us not be indignant. Let us kill. If you do not kill the German, the German will kill you. He will carry away your family, and torture them in his damned Germany. If you have killed one German, kill another. […] Do not count days. Do not count miles. Count your kills. Kill the German – that’s what your old mother calls for. Kill the German! – begs the child. Kill the German – cries the native land. Never miss. Never fail. Just kill!”

Antony Beevor (a famous British historian and author of “Berlin - The Downfall. 1945” book) attributed Ehrenburg's message as a motivating factor for the violence against German civilians which according to his sources took place as Soviet troops advanced through Nazi occupied territory toward the end of the war - thus encountering a great deal of criticism in Russia. The Russian ambassador to the UK denounced the book as "lies" and "slander against the people who saved the world from Nazism." O.A. Rzheshevsky, a professor and President of the Russian Association of WWII Historians, has charged that Beevor is merely resurrecting the discredited and racist views of neo-Nazi historians, who depicted Soviet troops as subhuman "Asiatic hordes" (citation from Wikipedia).

Tuesday, September 18, 2007

A sound body keeps a sound mind

If you want to be like me, just train!
V. Koretskiy, 1951

“Be ready for work and defense” (BGTO) – this was the basic physical training system in the Soviet Union. As it was declared, the system’s aim was to “strengthen people’s health, to allow them to develop fully and to make them ready for work to the benefit of the Motherland”. The training system was introduced in 1931 by Leninist Young Communist League of the Soviet Union (Komsomol). All sport clubs and training facilities had to have BGTO as the basic training. It included various sport disciplines: gymnastics, sprint and long distance racing, broad and high jumps, discus and javelin throwing, swimming, cross-country skiing (with cross-country running in the snowless regions) and sharp shooting. It had several stages according to the age – first stage for boys and girls below 16-18 years old and the second stage for adults age 19+. After you achieve certain standard results at a special competition event you receive a badge – here is a photo (100kb).

The poster above shows a soviet athlete and a boy. The athlete has a Coat of arms of the Soviet Union on his sport shirt, which indicates that he takes part in international competitions. The boy has a book with BGTO standards. Also he has a red tie, which is a symbol of the Pioneer organization. Actually it is a red kerchief with a special neck-tie. Its three endings symbolized unbreakable connection between three generations: the communists, the komsomol members and the pioneers.

The style of the poster is the same pre-war socialist realism. In 1953 Stalin was alive (he died only two years after the poster was published) and his personal cultural preferences still rulled the country.

Monday, September 17, 2007

The more bombers, the less room for doves of peace.

Long live everlasting, indestructible friendship and cooperation between Soviet and Cuban nations!
J Kershin, S Gurarij, 1963

The diplomatic relations between Cuba and Russia were established in 1902. They were terminated only during Fulgencio Batista’s rule, but were soon reestablished when Fidel Castro came to power in 1959. Soviet attitude to new Cuban government was neutral, until the Bay of Pigs invasion (1961), when USA tried to attack Cuba in order to overthrow the revolutionary regime and retain control of its property nationalized by Castro. This attempt was in vain as it did not spark the rising against Castro - the attacking forces were easily scattered by the trained Cuban army. This generated even more tension in Cuban-American relationships. Now in case of an embargo, the USA-oriented economy of Cuba had to find support somewhere (also see a Cuban Poster on the topic). Soviet Union grabbed the opportunity as this was a good way to establish a military base in a close firing range of its main foe – the USA, which in its turn had previously set up a number of nuclear missiles in Turkey, covering many potential targets in the Soviet Union. The following confrontation is known as the Cuban Missile Crisis (1962), when the world was as close to the nuclear WW3 as ever.

In 1963 after the Soviet Missiles had been removed from Cuba Fidel Castro paid a visit to the Soviet Union. For a month he was traveling across the country observing the achievements of the soviet regime. The photo the poster above is based on, was made during one of the demonstrations (supposedly on the Red Square), where all the Soviet officials were present. It shows Fidel Castro, the President of Cuba, and Nikita Khrushchev, the First Secretary of the Communist Party of the Soviet Union holding their hands in a greeting gesture. During this visit Fidel Castro was awarded “Hero of the Soviet Union” - the highest possible decoration in the country. On the photo above Nikita Khrushchev has one “Lenin Prize" medal and three “Hammer and Sickle” star medals (“Hero of Socialist Labor” decoration) on his chest. The irony is that Khrushchev received his “Lenin Prize” for “Strengthening of Peace in the world” in 1959, two years before the Cuban Missile Crisis took place.

Saturday, September 15, 2007

Space... the final frontier.

While I was flying round the Earth on sputnik spaceship, I saw how beautiful our planet is. People of the world, let us preserve and never do harm to its magnificence! Yuri Gagarin.
A. Lozenko, 1987

First words upon returning to earth, to a woman and a girl near where his capsule landed. (12 April 1961) The woman asked: "Can it be that you have come from outer space?" to which Gagarin replied: "As a matter of fact, I have!"

On 12 of April 1961 spaceship Vostok 3KA-2 (Vostok 1) was launched from the Baikonur Cosmodrome. Its pilot was Yuri Gagarin. After a circuit around the Earth the ship landed on the Soviet Union territory in Saratov region. While in atmosphere Gagarin left the ship and performed a parachute jump to avoid touch down, which could be risky. The first manned space flight took 108 minutes.

Gagarin was born on March 9 1934 in a small village in Smolensk region. His father was a carpenter and his mother a milkmaid. During WW2 the region was under Nazi occupation for two years. After the war the family moved to the city of Gshatsk (later renamed "Gagarin" in his honor), where young Gagarin received professional education and became a qualified moulder-caster. In 1954 he entered an aeroclub in Saratov. Next year he was drafted and sent to the First Chkalov’s air-force school. Two years later he graduated cum laude, and was transferred to the North Navy, where he continued flying until 1959, when he applied for the cosmonauts’ program. Four months later, after numerous checks and medical inspections he was enlisted into the cosmonauts’ training group. There were 20 candidates of them there, 6 best selected for the flight. That was a year of endless trainings in pressure chambers, centrifuges and altitude flights. Finally, the two candidates were chosen – Yuri Gagarin and German Titov. Four days before the flight the Government Commission defined the order – Gagarin flies and Titov dubs him in case of emergency. Later Titov became the second person to orbit the Earth.

So at 9:07 a.m. on 12 of April 1961 the chief soviet rocket designer Sergey Korolev ignited the engines and the first spaceship pilot Yuri Gagarin said his historical word “Poehaly” – “Let’s go!” marking the start of space era in the history of humanity.

Here is an mp3 dialog (450 kb) between Gagarin and Korolev during the flight.

Gagarin: Poehaly! (cut)
Korolev: “Cedar”, this is “Dawn”, how are you? This
is Dawn”. Ten-two, roger.
Gagarin: “Dawn”, this is “Cedar”. Feeling
well. Keep on flying. Acceleration grows. Vibrations. Handle everything fine. Feeling well. The mood is cheerful. I see the Earth through the illuminator Vzor”. There are creases of terrain, a forest. Feeling well. How are you doing? Roger.

Friday, September 14, 2007

This is my rifle

Work is essential, the rifle is near.
V. Lebedev, 1920

Colour is a power which directly influences the soul. Colour is the keyboard, the eyes are the hammer, the soul is the strings. The artist is the hand that plays, touching one key or another, to cause vibrations in the soul.

Wassily Kandinsky (1866 – 1944), Russian painter, printmaker and art theorist.

“Okna ROSTA” – “Satirical ROSTA Windows” is a series of posters created in 1919-1921 by a group of soviet artists, who worked for ROSTA or Russian Telegraph Agency, which was the first state news agency in the young soviet republic. In Russian ROSTA is not only an abbreviation but the word has a meaning of its own – ROSTA means growth, giving group’s name a forward-motion flavor.

Working for a news agency implies rapid reaction on the pressing issues on the telegraph tape, so ROSTA posters were always bright, satirical and topical. Often they were done in comics’ manner. The series of posters were created by hand, later replaced with stencil technique, hence 2-3 color scheme and clear-cut images. Stencil allowed the agency to print small quantities of posters (typical circulation was about 150) without publishing houses and additional expenses. After printing the fresh posters were displayed in shop-windows across Saint-Petersburg. That’s why the group had “Windows” in its name. This was a great means of communication and propaganda – few could read and afford newspapers at the same time, and due to the shortages everybody had to spend hours standing in shop-queues.

Okna ROSTA group housed a lot of talented and revolutionary artists and poets like Kazimir Malevich - the pioneer of geometric abstract art, Aristarkh Lentulov - a major avant-garde artist, Ilya Mashkov, Dmitry (Moor) Orlov, Alexander Rodchenko - one of the founders of constructivism movement. The variety of artists resulted in wide scope of techniques used.

The author of the cubist poster above is Vladimir Lebedev (1891—1967) – a famous soviet graphical artist. He was one of the founders of Okna ROSTA group, where he created about 500 posters. Vladimir Mayakovsky – the futurist poet of the Revolution wrote a rhythmic and energetic text: “Work is essential, the rifle is near”. The poster has two meanings: the worker should work hard now, but in case of emergency, he is ready to fight. And another one is that those soldiers who were making the Revolution, were to start working and put their rifles aside.

Thursday, September 13, 2007

That's, Grandma, the Yuri's Day!

The First All-Russian Sheep Breeding Exhibition and Congress
A. Komarov, 1912

That's, Grandma, the Yuri's Day
- a Russian proverb

Cultural Background: On St. Yuri(George)'s day (November 26th), peasants were allowed to move from one owner to another at their own will. In 1590s, this right was put on hold, and completely cancelled in 1649. Obviously, the peasants waiting for their freedom day, weren't quite happy when that was announced.


In 1910 Russian wheat constituted 36.4% of the total world export of wheat. At the same time the agricultural efficiency was low, due to the land property contradictions. At the beginning of 20th century almost 90% of the total Russian population were peasants. And de facto they had no land in their property whatsoever. The two main owners of land were pomezchiki (ground landlords and the Tsar) and the Church. According to the Emancipation Reform of 1861 peasants were not only freed from serfdom but also received the right to cultivate their own land, which was to be alienated from the land owners. Of course land owners did not like the idea, so the payment for the land was established extremely high, and no peasant could buy a plot himself. So the land became a property of peasants’ communities (obschinas) in order to secure the redemption payments for the land. Technically after the reform the land belonged to all peasants in general, but to no one in particular. The plots were distributed between the peasants in community according to the amount of family members and other factors, which were defined at peasants’ meetings. Peasants could not leave the communities in favor of working at a factory, as in this case their plot of land would be redistributed between other community members. Or he had to pay smart-money to leave for a certain period of time. The peasants’ communities were not only killing the industrial development of the country but the peasants' dreams of better living as well.

Before the Revolution Russia was an agricultural state where prosperous land owners were introducing new agricultural techniques, buying machines and tractors to intensify the cultivation. At the same time the majority of peasants were using sickles, wooden plows and a community horse to pull it.

The poster above advertises the First All-Russian Sheep Breeding Exhibition and Congress held in Moscow on September 12-25, 1912. It contained several sections: living exhibits, sheep products, scientific section and on. And although this event was not intended for peasants, a peasant woman in a traditional full dress acts as a central figure on the poster.

Wednesday, September 12, 2007

I see red!

If you do a pointless chat, you are helping spying rat
Koretsky, 1954

Thank God somebody's doing it.
FBI director J. Edgar Hoover, of McCarthy's investigations.

The Cold War – a global confrontation between the USA and the Soviet Union started on March 12, 1947 with a Truman Doctrine unveiled. The Doctrine shifted American foreign policy as regards the Soviet Union from Detente to a policy of containment of Soviet expansion.

The Cold War was fought not only in diplomat’s cabinets and on the battlefields of Africa, Middle East and East Asia, but also by means of propaganda. In the USA the main speaker of the anti-communist attitude was Joseph McCarthy – a Republican Senator from Wisconsin between 1947 and 1957. He was noted for making unsubstantiated claims that there were large numbers of Communists and Soviet spies and sympathizers inside the federal government. In 1950 during his public speech on Lincoln Day (February 9), he announced that he got hold of a list of 205 names of those “being members of the Communist Party” and working for the Soviet Union by “shaping policy in the State Department”. This started the unprecedented soviet spy witch-hunt, with private investigations of citizens’ loyalty, shadowing of all leftist organizations, and supervision of every political and publican figure, who ever mentioned anything positive about the Soviet Union. The most notable was a case of Charlie Chaplin – an English comedy actor and a living cinema classic. He had major success in the USA and lived there from 1914 to 1952. During the era of McCarthyism, Chaplin was accused of "un-American activities" as a suspected communist sympathizer. With the Government pressure building up, he decides not to return to the USA after his brief trip to England. He wrote after that: ".....Since the end of the last world war, I have been the object of lies and propaganda by powerful reactionary groups who, by their influence and by the aid of America's yellow press, have created an unhealthy atmosphere in which liberal-minded individuals can be singled out and persecuted. Under these conditions I find it virtually impossible to continue my motion-picture work, and I have therefore given up my residence in the United States."

The situation in the Soviet Union was quite similar. The atmosphere of suspicion was evident with the graphical design playing significant role as usual. The poster above says: “If you do a pointless chat, you are helping spying rat”. On the poster the double faced undercover spy is portrayed with a monocle, which was considered to be a stereotypical accessory of German military officer from the WW2 period. Thus this fascist image was projected on the Western World.